After reading your bassline equalisation advice, I’m curious because of the different harmonic positions relative to the note frequency, if you have a baseline that changes notes

Earlier in the blog, you mentioned “phase cancellation” as one of the reasons why basslines may sound flabby and not punchy enough

Could you explain how you got to producing that arp on Machinery (Preview) at 0:02 sec?

Which devices do you use with what settings, do you use them on a send or on each channel, do you ever use reverb on kick or bass, do you ever use reverb on the master

Success story: Tim Bourne’s behind the scenes on reaching out goal through rejections

I’ve also read your posts about how you were involved into Russian psytrance scene. I’m from Russia and remember Psyplanet ;

Hi Daniel! This question is the biggest problem for me when producing psytrance music, how do I make my kick and bass fit together?

Hello Daniel, my name is Adrian and I’m from Argentina. I started producing Psychedelic music about 3 years ago...

Hey, Daniel. Thanks for creating this Advice series. :) My question relates to a track from Leftfield called “Original”

I have been pursuing passionately the psytrance production for some time, and it is clear you are very passionate about your work as an artist