Hello Daniel, my name is George and I deal with music production the last 2,5-3 years. The DAW that I use is Ableton

How to make non-destructive editing of automated parameters so I could change it in one place and apply to the entire clip’s length?

Can you give some feedback on my new work-in-progress track? What to improve?

Hey Daniel, I’d like to share my ongoing project though a lot of work needs to be done, the track is in F# and somehow I don’t like how the kick and bass sound together

Hello, Daniel. I make music in Ableton Live running on a pretty old PC. I always have to freeze channels in order to save up some CPU resources, but it doesn’t work if I have a sidechain compressor on

Normally I make my build-ups with a sample cutting and coping or sometimes with the appreciated, but it’s very hard for me to get something like in that example

Hey Daniel, I’ve always wondered how does well-known psy-producers (such as yourself) create atmospheric SFX?

What kind of VSTs do you recommend, anything from synth sound creation to mastering and EQ, paid or unpaid?

I still got a big problem to fit in some sound samples I would like to use in my track, because they don’t sound perfectly harmonic to the rest of the track

How do producers get the punchy attack on a bassline? No matter what I try, mine always seem to lack the initial punch of tracks such as Major7 & Vertical Mode – “Majormode” or Helber Gun – “Enlight”