In electronic music, making remixes is a common practice. It helps to build a relationship between the producers, gives extra exposure, and brings extra variety

Hey Daniel, I’d like to share my ongoing project though a lot of work needs to be done, the track is in F# and somehow I don’t like how the kick and bass sound together

And what to do about it As a music producer, I feel like I have too many things to do, production, promotion etc

Hello, Daniel. I make music in Ableton Live running on a pretty old PC. I always have to freeze channels in order to save up some CPU resources, but it doesn’t work if I have a sidechain compressor on

Hi Daniel, I hope you can give me some advice. A year ago I released a track on the label. Today I’ve checked my Beatport artist profile out of curious and noticed that this release appeared on a different

Normally I make my build-ups with a sample cutting and coping or sometimes with the appreciated, but it’s very hard for me to get something like in that example

Hey Daniel, I’ve always wondered how does well-known psy-producers (such as yourself) create atmospheric SFX?

Hi Daniel, I’m a Psytrance producer from Belarus. I just starting out and would like to release my music, but don’t have enough tracks yet

If your track is unique How do I find the right label, especially if none are releasing quite the same style as my track?

What kind of VSTs do you recommend, anything from synth sound creation to mastering and EQ, paid or unpaid?