1, it seems a bit one-sided. Artist gets 10% label gets 90%? Is this a usual split? 2, it seems like they are saying that they will only pay me if the sales reach over 10

I watched some videos but I only saw people launching a few clips in Ableton but I don’t understand how to play for example an hour long live act with many of your tracks

After reading your bassline equalisation advice, I’m curious because of the different harmonic positions relative to the note frequency, if you have a baseline that changes notes

It’s safe to say that my previous advice on sending a demo is one of the most popular articles on this blog

Earlier in the blog, you mentioned “phase cancellation” as one of the reasons why basslines may sound flabby and not punchy enough

Could you explain how you got to producing that arp on Machinery (Preview) at 0:02 sec?

As a music producer, should I post on every social media? Is it worth posting the same content on different social channels?

I work as an A&R for a new label. We signed in February of this year an artist, with proper contract

Which devices do you use with what settings, do you use them on a send or on each channel, do you ever use reverb on kick or bass, do you ever use reverb on the master

Hey Daniel, thanks for your great blog! Quick question: how do you capture internal audio, let’s say some streaming in the browser or a dialogue in a film?